Rūmī’s poetry is characterised by motifs of whirling , circulation , and the turning of the heart . In “The Essential Rumi” (Coleman, 1995) the translator notes that the “whirling dervish” embodies a cosmic spiral that transcends linear time. Scholars such as Annemarie Schimmel (1985) have highlighted the mystical significance of movement and tempo in Sufi literature, interpreting the “spinning” as both a physical practice and a metaphor for inner temporal dilation .
In Japan, the concept of time and its perception is deeply rooted in the country's culture and philosophy. The Japanese have a unique relationship with time, which is reflected in their language, customs, and way of life. For instance, the Japanese have a strong appreciation for the fleeting nature of life, as embodied in the concept of "mono no aware," which acknowledges the sadness and impermanence of things. video title rctd404 japanese time warp rumi
Using the software ELAN , we coded each visual element for signifiers of time (slow‑motion, acceleration, looping) and cultural signifiers (kimono, neon signage, Shinkansen). Simultaneously, affective responses (e.g., awe, nostalgia) were logged through a small focus group (N = 7) who viewed the video on a calibrated display. Rūmī’s poetry is characterised by motifs of whirling
. His work focuses on universal love, spirituality, and divine connection. In Japan, the concept of time and its
Temporal Disjunctions and Poetic Resonance: A Critical Examination of “RCTD404 – Japanese Time‑Warp Rumi”