That night, George snuck into the 12 AM screening. The theater was a den of shadows. Men in wife-beaters and drunks who had spent their last peso on a ticket instead of dinner. When his face appeared on screen—eyes wide, chest heaving, that raw sabik —the audience didn't cheer. They went silent. Because they recognized it.

Typical plotlines: A man (Estregan) returns from abroad or prison, deprived for years, and his sabik drives him to harass or assault women.

Unfortunately, I couldn't find specific papers or studies that match these titles exactly. However, I can suggest some possible sources where you might find relevant research:

Carlo wanted to be that. He was tired of being tired. He was tired of Elena’s distant stares. He wanted to feel the power that Rigor felt.