The thumbnail was a grainy, sepia-toned close-up of a human eye, reflected in a shard of broken mirror.
The film follows an unnamed man (played by Dominique Pinon, Caro’s frequent collaborator) who wakes to find his own head has been cleanly severed from his body, yet he remains conscious. The "head" is placed on a porcelain plate. The "body" continues its autonomous routines: dressing, eating, walking. The narrative is split between the pensées (thoughts)—a philosophical, guilt-ridden internal monologue about mortality and desire—and the visions —hallucinatory super-8 sequences of rotting fruit, ticking metronomes, and a mysterious woman unwinding bandages. pensees et visions d 39-une tete coupee -1991- ok.ru
The film functions as a hybrid between a documentary and a surrealist drama. It explores the dark, obsessive themes that defined Wiertz’s art, including: The Movie Database Death and Decapitation The thumbnail was a grainy, sepia-toned close-up of
Rousseau's film is known for extremely long, static shots of landscapes, architectural details (walls, ceilings, doors), and everyday objects. The "visions" are mundane yet rendered uncanny by duration. It explores the dark, obsessive themes that defined
: The film uses vivid sound effects and close-up montages to evoke the narratives hidden within Wiertz's specific paintings. Core Themes
, you have found one of the most unsettling and avant-garde short films of the early '90s. Directed by Olivier Smolders