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Lauzen, M. M. (2018). The celluloid ceiling: Behind-the-scenes employment of women in the top 100 films of 2017. Geena Davis Institute on Gender in Media.

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1. Executive Summary

Despite this progress, the battle is not won. The representation remains skewed. It is still easier to find a film about a 55-year-old white woman in a cottagecore crisis than a 60-year-old woman of color leading a blockbuster. Intersectionality is the next frontier. We need more stories like The Farewell (Awkwafina and Zhao Shuzhen, 71) that center the specificity of immigrant grandmothers, or His House (Wunmi Mosaku), which explores trauma through an older, displaced body. Lauzen, M

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