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But Leo didn't look at the script. He looked at her eyes. And he saw it—the micro-tremor in her chin. The lie.

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True to its title, Franco scores the film with classical music , treating the human body almost like a musical instrument in his framing. But Leo didn't look at the script

The film follows (played by Lina Romay), a fragile woman returning to her palatial estate in Portugal after a stay in a mental institution. Upon her return, she discovers her hedonistic husband, Marquis Armando de Bressac (Armando Borges), is openly carrying on an affair with a young man named Flor (Mel Rodrigo). The situation escalates when the two men encounter an unconscious nun, Wanda (Aida Gouveia), in the woods and bring her back to the chateau. As Martine’s mental state deteriorates, the trio begins to plot her murder to secure her fortune. Key Highlights & Style The lie

"Take eleven," Julian grumbled. "And for God's sake, someone get the Cinematographer to adjust the shadows on her face! It’s too dark!"