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Beyond technique, an essay on Laboriel must address his philosophy. In interviews and masterclasses, Laboriel frequently describes bass playing as "serving the song" and "creating a floor for the dancer." In “Beginning Funk Bass 1,” this manifests as a warning against overplaying. The PDF’s final exercise is often the most difficult: playing a single note—just the root on beat one—with such perfect time and feel that the band locks in.

Perhaps the most liberating concept in Laboriel’s beginning funk curriculum is harmonic restriction . Unlike classical or jazz studies, a beginning funk bassist may spend an entire page on a single chord—usually E9, A7, or Dm7. Laboriel argues that true funk comes from rhythmic variation over a static harmony, not from complex chord changes. basslessonabrahamlaborielbeginningfunkbass1pdf top