: Both utilize social media to build personal brands and interact directly with their supporters.
| Year | Title | Medium | Venue & Context | Highlights | |------|-------|--------|----------------|------------| | | “Borderlines” | 3‑channel video + ambisonic audio | Documenta 15 (Kassel) | First large‑scale immersive environment; used AI‑generated maps to overlay personal testimonies. | | 2021 | “Mosaic of the Unseen” | Augmented‑Reality (AR) mobile app | Venice Biennale – Italian Pavilion | Over 10 000 downloads; AR layers revealed hidden stories of refugees in the Biennale’s historic pavilions. | | 2022 | “Friction” | Kinetic sculpture + live‑coded sound | Tate Modern – Turbine Hall | Massive steel frames moved by pneumatic actuators, synced to a soundscape built from intercepted maritime communication frequencies. | | 2023 | “Digital Diaspora” | VR experience + interactive narrative | MoMA – “New Media” exhibition | Users navigated a procedurally generated city that reshaped based on collective input from global diaspora communities. | | 2024 | “Threads of Return” (in‑progress) | Textile‑based installation + bio‑feedback sound | Commissioned by Centre Pompidou (opening Spring 2025) | Weaving of traditional African fabrics with conductive threads that translate visitor heart‑rate into harmonic drones. | valerica steele and angel youngs
Her trajectory has been marked by high-profile collaborations and a rapid ascent up the studio ranks. Whether performing in high-budget feature productions or raw, gonzo-style scenes, Youngs displays a versatility that keeps her in constant demand. She embodies the fantasy of the "rising star"—approachable yet untouchable, sweet yet wildly intense. : Both utilize social media to build personal